The Destruction of Bronze Statues in the Second World War
Images: Musée d'Orsay, A Nos Grands Hommes https://anosgrandshommes.musee-orsay.fr
From October 1941 to August 1944, bronze statues were removed from cities, towns, and villages throughout France: between 1,527 and 1,750 decorative and commemorative bronzes were melted down. In two waves of demolition (October 1941 - May 1942, and August 1942 - August 1944) France lost the vast majority of its public statuary. This widespread removal and destruction of bronze statues touched almost every community, and significantly changed the civic landscape, leaving empty pedestals that remain to this day. Although this program unfolded during the Second World War and the German occupation of France, it was not directly a Nazi initiative. Nazi Germany demanded non-ferrous metal from France to feed German war industries, but the French government under Marshal Philippe Pétain chose to melt statues rather than church bells (which Germany confiscated throughout the rest of Europe).
The French public was told that the metal from melted bronze statues would help local agriculture and industry, like earlier metal recycling drives that targeted copper stills, countertops and household utensils. Instead, the metal from melted statues was sent to German refineries.
Images: Archives départementales du Puy-de-Dôme
There were few exemptions. Monuments to Henry IV, Louis XIV, Joan of Arc, and Napoleon were protected because their subjects represented "incontestable" national glory. Regional officials could petition to save select statues on the basis of historical or artistic significance. On occasion, German and Vichy authorities intervened to save certain statues, usually for political reasons. But in general, the French government adhered to its goal of melting as many metal monuments as possible.
The public response to the statue mobilization campaign in France was mixed. In Paris, the statues were not particularly valued, and there was little resistance to their removal. Hundreds of statues had sprung up throughout the city since the late 19th century in a wave of "statuemania" that was widely criticized.
But in the French provinces, there was vocal and determined resistance to the destruction of statuary. There, statues were the pride of their communities: they celebrated local people and history, and were an expression of regional culture and identity. The loss of statues was felt deeply, leading some communities to go to great lengths to try save their monuments from destruction.
Profile: Recalcitrant Mayors
Mayors played a leading role in resisting the destruction of bronze statues in France during the Second World War. In most cases of resistance, mayors initiated protests against the destruction of statuary, they mobilized municipal councils and cultural associations, gave voice to public upset, and interfered with the demolition of statues. Many mayors flatly refused to comply with orders to have monuments dismantled, and some even hid statues to prevent them from being confiscated.
Statue Spotlight: La République
Statue Spotlight: La République
Explore the slideshow below to discover more about bronze statues in France during the Second World War.

Arles

Aurillac

Boisset

Salers

Chambéry

Montbard

Leucate

Rennes

Reims

Saint-Servan

Nolay

Fougères

Compiègne

Martigues

Monieux

Lorient

Condé-sur-Noireau

Salins

Agen

Lyon

Rollot

Ham

Dijon

Toulouse

Nantes

Rochefort

Paris

Pantin

Hamburg, Germany
Source:
Kirrily Freeman, Bronzes to Bullets: Vichy and the Destruction of French Public Statuary, 1941-1944 (Stanford University Press,2009)
Learn More:
In English:
Maurice Agulhon, Marianne into Battle: Republican Imagery and Symbolism in France, 1789–188 (Cambridge University Press, 1981).
Elizabeth Campbell Karlsgodt, Defending National Treasures:French Art and Heritage under Vichy (Stanford University Press, 2011)
Elizabeth Campbell Karlsgodt, “Recycling French Heroes: The Destruction of Bronze Statues under the Vichy Regime.” French Historical Studies 29:1 (Winter 2006).
William Cohen, “Symbols of Power: Statues in Nineteenth-Century Provincial France” Comparative Studies in Society and History 31:3 (July 1989): 491-513.
Kirrily Freeman, “Filling the Void: Absence, Memory and Politics in Place Clichy” Modern and Contemporary France, 18:1 (February 2010): 51-65. Kirrily Freeman, “Incident in Arles: Regionalism, Resistance and the Case of the Statue of Frédéric Mistral” Contemporary European History, 16:1 (February 2007): 37-50.
Chad Denton, "‘Récupérez!’The German Origins of French Wartime Salvage Drives, 1939–1945" Contemporary European History 22:3 (August 2013): 399-430.
June Hargrove, The Statues of Paris: An Open-Air Pantheon (Vendôme Press,1989).
In French:
Jean Ajalbert, “Les Statues Parisiennes des Grands Hommes” Gazette des Beaux Arts (1974): 149–59.
Yvon Bizardel, “Les Statues Parisiennes Fondues sous l’Occupation, 1940–1944” Gazette des Beaux Arts (1974): 129–49.
Geneviève Bresc-Bautier, Xavier Dectot, Ilham Ben Boumehdi, and Béatrice de Andia. Art ou Politique? Arcs, Statues et Colonnes de Paris (Action Artistique de la Ville de Paris, 1999).
Pierre Kjellberg, Le Guide des Statues de Paris (Bibliothèque des Arts, 1973).
Jacques Lanfranchi, Les Statues des Grands Hommes à Paris, Coeurs de bronze, Têtes de pierre (L’Harmattan, 2004).
Musée d’Orsay. A Nos Grands Hommes https://anosgrandshommes.musee-orsay.fr/index.ph
Georges Poisson, “Le Sort des Statues de Bronze Parisiennes sous l’Occupation” Paris et Ile-de-France: Memoires 47:2 (1996):165–297.