The Sail Artist

Oxford’s Downes Curtis

Maryland’s deep maritime heritage is inextricably linked to the stories and experiences of Black people on the Chesapeake Bay. As an enslaved boy, Frederick Douglass began to learn to read and write while spending time in Durgin and Bailey’s shipyard in Baltimore, where he watched shipwrights mark each piece of timber with a letter indicating its location in the ship’s construction. Later, he worked as a caulker for Fells Point shipbuilder William Gardner, and he used those skills to get a foot in the door on the wharves in New Bedford, Massachusetts, when he fled Maryland and slavery in 1838. 

It's likely that free and enslaved Black Marylanders worked in the lofts supporting the fleets of sail-powered vessels that dominated Bay commerce until well into the early 20th century. But one of the only full-time, independent Black sailmakers in the state through the 1900s, and certainly the most enduring, was Downes Curtis of Oxford, Maryland.

A black and white portrait of Downes Curtis as an older man in 1996

Downes Curtis. Photo, John W. Cane, 1996, Chesapeake Bay Maritime Museum Collection (945.44)

He and his younger brother, Albert, learned the craft from Dave Pritchett, an English sailmaker who had come to the Eastern Shore town on the Tred Avon River. When Pritchett died in 1936, Downes and Albert continued the work of the sail loft.

A black and white archival photo of two Black men, sitting on benches working on large canvas sails spread in front of them. Stacks of sail cloth can be seen behind them
A black and white archival photo of two Black men, sitting behind large sewing machines working on canvas sails
A black and white archival photo of two Black men kneeling on the floor, working on a large canvas sail spread in front of them.

A 2001 story in the Easton Star-Democrat noted that the brothers made sails for the likes of Errol Flynn, James Cagney, Walter Cronkite, and the Kennedy family, among others.

A black and white archival image of the sail loft building - a simple two-story building clad in white board siding
A color image of the loft building today as a private residence - front view of the building, which is now painted bright yellow with green trim and doors

Locally, Curtis became best known for his craftsmanship in building sails for traditional log canoes. Once used for commercial fishing and oystering, low-slung log canoes now are used only for racing on the Chesapeake, with the fleet based on Maryland’s Eastern Shore. Like other commercial boats of the time, speed to market was of the essence, and log canoes—their open hulls loaded with oysters for ballast—carried clouds of sail to propel them. Today, the clouds of sail remain, but the ballast is human–crews who hike out on boards called prys to keep the over-canvassed, tender boats from capsizing.

Curtis became a renowned log canoe sailmaker and cut sails for some of the most competitive and historic boats in the fleet. His skills were such that they were noted by historians who sought to place the log canoe Island Blossom on the National Register of Historic Places. Built in 1892 in Tilghman Island, Island Blossom is now owned by Judge John North of St. Michaels, and the Maryland Historical Trust’s National Register Properties listing notes that, “The sails were cut by Downes Curtis of Oxford.” 

A black and white archival photo of boats racing under full sail

Island Blossom (background) racing under a full press of Egyptian cotton sails made by Downes Curtis. Photo, undated, Chesapeake Bay Maritime Museum Collection (36.3)

Curtis continued to make sails in his loft until his death in 1996 at age 85. In 2015, the Chesapeake Bay Maritime Museum (CBMM) launched an exhibition featuring his tools and sailmaker’s bench. The museum’s magazine, The Weather Gauge, noted in a 1997 story that Curtis “stands out as an African-American maritime artisan on the Chesapeake Bay.”

A color image of the straight stitch sewing machine used by Downes Curtis, sitting on a wooden table with a piece of sailcloth under the needle a simple stool next to the table

The straight stitch sewing machine used by Downes Curtis, from the Chesapeake Bay Maritime Museum exhibit that included some of the sailmaker's equipment and tools. Photo, David W. Harp, Chesapeake Bay Maritime Museum Collection (1997.1.117).


Chesapeake Quarterly Editor Rona Kobell contributed to this story.

Downes Curtis. Photo, John W. Cane, 1996, Chesapeake Bay Maritime Museum Collection (945.44)

Island Blossom (background) racing under a full press of Egyptian cotton sails made by Downes Curtis. Photo, undated, Chesapeake Bay Maritime Museum Collection (36.3)

The straight stitch sewing machine used by Downes Curtis, from the Chesapeake Bay Maritime Museum exhibit that included some of the sailmaker's equipment and tools. Photo, David W. Harp, Chesapeake Bay Maritime Museum Collection (1997.1.117).